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One From The Grave: In Trance

 May 27 2008 at 06:07:21 AM



This is what Dieter Dierks did for the Scorpions. Sometimes a band needs a ringleader, a man comfortable enough with his masculinity to don a three-foot fuchsia stovepipe hat and equally embarrassing Technicolor clothes; his job is always woefully understood: it’s the Barnum & Bailey bullshit that Ted Templeman worked voodoo-like into a palpable science with the sinewy beast that was early ‘80s Van Fucking Halen. Get out there; ramble into the ring. Press flesh and smack backs. Twirl the moustache into twin curlicues of fertile, brown horn.

The preceding two LPs were forgettable: able fundamentals, mildly respectable and not without brief brilliance. Taken in tandem they’re nothing more than clumsy foreplay for what’s likely the Scorps’ finest hour. Klaus Miene’s and Ulrich Roth’s alternating swoon: thrust and throb was always a dimension away from the airwave Visigoths of the age, and a most fucking fortunate contrast to the perpetually dubious “bluesy” rumblings of the Page/Plant bruised banana dildo tucked slyly away into silver flake peg leg pants. The shtick might as well have been twisted into a ruddy neon crown: Good Gawdamned German bier; truckloads of testosterone; ludicrous phallic bullshit with expensive guitars: the Scorps had the shit in spades, even if the whole rock crit intelligentsia thought they were borrowing time counting cards from their first amp queef while the electronic buzzards wheeled overhead.

But Miene found his voice. He brandished the fucker. He held it by the balls and squeezed hard.

Miene sometimes sounds like he’s turned to water. Like his tongue and tonsils have just splashed right out of his mouth as his face takes the wide stance and drops a deep, long piss. Miene sorta wails; sometimes his voice struts thick-assed into places he shouldn’t be; but no motherfucker could tell him otherwise. His words rise and climb with the smoke; stories and shit are beaten out of coats like a week’s worth of weed smoke. The impressions are grand and clichéd; their manifestations—flickering scented candles and baby-oiled yahbows—are minor and major victories, mostly depending on whom you klatch with.

Indeed, Uli Roth holds up his end of the bargain, acting the rudder and at times as wiley as the wind, lines and runs slick as pricks in groupie fists. There’s some looking glass shit here, too: Tipton/Downing might as well be painted in dayglo green on these tea leaves; “Top of the Bill” holds the colors high. Lots of crashed surf riff, silly squelched runs; forward motion taken to the mat by Miene’s over-the-top theatrics. “I'm in a trance / Hey, baby tell me can't you hear me calling / I'm in a trance / I take too much in the Saturday night / Hey, hey, hey baby tell me can't you hear me calling / I'm in a trance…”

[Stewart Voegtlin]

Scorpions
In Trance
RCA
1975
type: reviews    keywords: heavy metal, one from the grave,   

Comments (5)

  • 108 comments
    jniff
    1:00 PM on Jun 16, 2008 // reply »
    Glad to re-discover your great blog. You dropped off my radar after Stylus ceased.

    Anyways, glad to see this album given props, but I'd have to respectfully disagree with you on the first two albums - which are hands-down, my favorites by the Scorps. To me, 'Fly to the Rainbow' is pure brilliance from start to stop. 'Lonesome Crow' sounds like a kraut-rock band digested Black Sabbath's first LP and spit it back out with their own added subtle flavors. 'In Trance' is my favorite of the Roth-era albums that Dierks produced, though. Unfortunately, elements of stadium rock began to gradually creep into the following albums.
  • 378 comments
    Stew V.
    12:56 PM on Jun 17, 2008 // reply »
    Hey, Jniff: I'm down with the first two platters; I just don't rock them as much as IN TRANCE, which really amps up the ROCK and tunes down such unsavory things as this krautrock you speak of. You're right about what followed: a buncha sadtrombone shit. Thanks for reading...
  • 108 comments
    jniff
    11:52 AM on Jun 19, 2008 // reply »
    Fair enough. Your thoughts are in line with most of the folks I know who appreciate old Scorps. In fact of the few folks I personally know who like their classic outings, only one shares my belief that the first two were their best.

    At least we agree: 1) that 'In Trance' rocks, 2) Uli can shred with taste, and 3) that the latter stuff doesn't hold a candle to what they did with Roth in the band.

    Damn if it wouldn't have been cool to have attended of the Tokyo Tapes concert.

    Don't know if you're a fan or not, but it would be cool to see a write-up on some Dio-era Rainbow or pre- 'Magician's Birthday'-era Uriah Heep - two other bands that don't get the respect they deserve.
  • 378 comments
    Stew V.
    11:57 AM on Jun 19, 2008 // reply »
    You bet. And, jniff, you reading my mail? Dio-era Rainbow and "Magician's Birthday"-era UH are two of my most fay-vor-it things. Bump bom bump bom bump bom Bump bom Bump bom Bump. They'll surely return, FROM THE GRAVE... Ahhh-ha-hah-hah-hah-hah!
  • 108 comments
    jniff
    5:35 PM on Jun 20, 2008 // reply »
    Stew- regarding Rainbow and UH, I figured someone who'd give props to classic Scorps and with refined musical tastes such as yours would probably appreciate the masters.
 

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